
Time and space do matter when we are bound by the limits of science and imagination. Whether your writing is in the linear mode or in the non linear mode, it is important to have the logistics of time and space right. I cannot weave a narrative in the eighteenth century and then push it into another dimension (Space?) even if the time is the same or vice versa. Of course the genre of Fantasy fiction does let us travel to parallel worlds in another time and dimension, but we still stick to that graph to be able to formulate a logical and comprehensible story.
The human mind is born with certain pre set ideas. We know that if I am born on the first of January 1992, I cannot be alive on 4th January 1991. If I am in the jungles of Peru, I cannot be on the Himalayas at the same precise moment. The problem of twin identities stops the writer from exploring this facet.
We are also limited by data- “ A man cannot be alive if he is three hundred years old”. But our epics and religious texts do tell us that at a certain point of time, people lived to be more than five hundred years old. There are a lot of explanations to that. Some say a year was calculated as equal to a lunar month not a solar orbit, others say the figures were symbolic numbers to stress other aspects of life. We also have various people the world over claiming to be hundred and fifty and so on, but they normally have no proof, so it is relegated into fantasy.
So what do I do? I want to weave a story where I need the same character to be at two places at the same time. “Impossible”, says the modern millennial. This is when I need to break the sound barrier (in this case the time and space barrier) and delve into a world that is not bound by any restriction. Before I discuss this in detail, I would like to remind you that the first airplane flew early in the twentieth century but the Ramayana, written sometime in the fifth century BC, talks about the ‘Pushpaka Vimana’ or the mythological flying Chariot used by Ravana to kidnap Sita. So was it just a figment of Valmiki’s imagination or was there something like that already existing? So what seems impossible now maybe possible in the future.
Fantasy fiction already delves into impossible circumstances and we accept it. It could be Harry Potter flying on his broom and playing Quidditch or Superman coming from the planet Krypton. But what if I want to create a normal world with ordinary people that the reader can identify with? What if I want some extraordinary happenings to be a part of my narrative in the most natural and believable way?

This is when we can explore the unknown world of paranormal or supernatural events. It has been proven time and again that this world of spirits; world unrelated to physical dynamics and a world where logic is not the king, exists. Here (specially because it is not data dependent) we have the freedom to throw away the shackles of logic, time, space and to some extent scientific theory and push it down the black hole of superstition and ignorance.
Wikipedia defines superstition as ‘a pejorative term for any belief or practice that is considered irrational or supernatural: for example, if it arises from ignorance, a misunderstanding of science or causality, a positive belief in fate or magic, or fear of that which is unknown.’
So we have this negative (?) tool to create a dark world to suit our needs. There are questions that pop into my mind; does it need to be a “dark world”, cannot it be a world full of sunlight where good is rewarded and bad is punished and not the other way around? But again I am limiting myself by moral values of Good and Bad.
Whatever be the outcome of this argument, I believe that it is important to let the mind free from the tortuous limitation of science, facts and data!



