Lockdown Screen Time

Beyond the trillion Zoom conferences that dot my COVID-19 lockdown, I have another lot of activities that keep me so busy that I have fallen ill twice in the past sixty days!

The first week without the maid was fun. (I love cleaning) With ample help from a house-bound husband and daughter who took care of the heavy duty cleaning, I scrubbed corners, cleaned cupboard tops and used all the ‘You tube’ cleaning hacks possible.

The next week made me traverse the insides of each cupboard, the bookshelves (with lots of nostalgic swamping when I looked at my twenty year old self’s notations on the margins) and bathroom cleaning.

 The third week of course laid me low for three days (Every bone and sinew aching). I was warned by the whole family (specially the doctor via video chat) that I cannot and should not overexert myself. I nodded with pitiful affirmatives and resumed my duties slowly.

The week that followed the lockdown under the lockdown made me sit on my comfortable chair watching Netflix and Prime Video. All the games that I had downloaded on the I-Pad were begging me to indulge them, so my screen time increased from four hours to six hours (lots of admonishment from the lord and master!) then I had to indulge in my voyeurism- all the social media scrolling!

Facebook was of course filled with birthdays and anniversaries and the many stories which can be understood only by the one who posts them! It also had the occasional Instagram posts.

I prefer looking at the Instagram posts on its own app, so off I go, clicking on the link and moving to another world. Here I am offered a number of culinary delights. The world and his wife have taken to cooking the most delicious dishes on the face of the earth and posting them on Instagram. Even the videos posted are no longer dominated by Nature’s beauty, we see the most delicious samosas, casserole, cakes, puddings, rasgollas…. I really cannot tabulate all of them here! New channels have come up from wanna-be cooks and all the housewives who have husbands wielding the video camera! Sadly, the cooking channels that I follow have been relegated to the backseat. It is so much better to see the normal kitchen in the background rather than the uber-efficient ones of the celebrities.

Though not a great cook, I have been feeding my family for over thirty years, so I jumped onto the bandwagon and made my share of rasmalais, jelabis and even pedas. The usual panipuris, rava dosas, idlis and poha were put in attractive dishes, photos were taken with the right amount of lighting but after the deluge of foodography I decided wisely against putting up my pretty pictures.

But the cutest deluge has come from new mommies! I noticed a certain age group of my erstwhile students were turning into new mothers. Lots of cutie quotes (specially as Mother’s Day has just gone by), cuddly babies and adorable new grannies fought for space on my app. The ones without babies put up their doggie instas and successfully captured my attention.

Next of course is Twitter. What then are the birds doing these days? Well, we have the usual political bashers, the fight between the pros and antis. Then of course the statistics of Coronavirus- how many infected, how many dead, which countries and in India which states. Possibility of economic suicide versus own suicide! “My country is worse than yours”, “My leader  is worse than yours” and the best are the NRIs who live in their comfortable lives saying how wonderful India is notwithstanding the miserable level to which the poor have gone to! Here too, I do not dare to offer my own views in the fear of being arrested (One young man was thrown into jail for daring to criticize the All Mighty one (and I do not mean God))

I am not a member of TikTok so I cannot post my dancing videos (I can hear all of you sighing with relief). The news channels say the same thing and I was getting tired of being in front of a screen for almost all my waking hours. So what do I do next?

Feeling as strong as Hercules, I tossed caution to the winds and was back to all my naughty and secretive escapades, namely ‘cleaning spree’. The family members were busy doing their own things, so I got away unnoticed! My stove started sparkling, the kitchen counters were spick and span, all the stuff from the supermarket were put in their rightful places rather than lying about like abandoned puppies and the washer and drier sparkled with happiness with all the love and care I lavished on them.

It was not surprising that on a day when I chose to cook three whole meals, clean four bathrooms, and do the laundry, that my more than half a century old body collapsed, and I was back in bed!

Older and wiser, now I have decided not to trust my adrenalin spiked brain and do my work in moderation.

So two months of lockdown, two collapses, a million food videos, and a trying-to-be-sensible, old but young at heart person is looking forward to a COVID less world where she can do what she loves the most – Travel!

Que sera sera what will be will be…

Dare Me & Other Stories

Four friends, reunited after a decade, set out on a road trip near Jaipur. As they reminisced about the past, they find themselves accosted by a young shepherd boy and his mother in the middle of a desolate forest with an elusive lake on the horizon. The next twelve hours wreak havoc; with old love resurfacing while questioning the ‘justice’ served a decade ago.

Angela lived a quiet life in a Swiss convent until a rich benefactor, Herr Abraham, took her under his wings. While she found peace in  ‘conversing’ with her late mother, Angela’s life changes at an alarming pace when a nun is found murdered. 

An amnesic man found on the streets of New York is revealed to be a wealthy banker from New Orleans. As he tries to piece his life together, a missing puzzle is waiting to be discovered that links his car accident to the lack thereof his injuries.

Many family members experience the same dream. Is there an unfulfilled desire from the unknown, seeking to manifest itself in the real world?

In her collection of fifteen stories, Benita Patnaik leads you into a seemingly benign world; but soon, before long – the layers of normalcy peel away within mere seconds. Revenge, jealousy, greed laced with hatred and desire push each character to live their lives in a cycle of never ending existence. The greyness of the paranormal world leaves you cold with fear; prompting you to draw parallels of its surrealistic nature in your own life.

Hereafter, you would think twice before you ignore the stranger at the bus stop; the wedding anniversary gift sitting on your mantelpiece; a pigeon perched on your ledge every single day; the recurring dreams which have no meaning …today.

Would you dare?

SENSATION

Delightful sensations,

Gave birth to feelings,

And exhausted itself

To dry emotions.

The loving and the hating,

Limped on broken limbs…

And sensations of pleasure,

Were a bondage

Of the creeping pain.

–Benita Patnaik

Destined to win

Sunlight crept in stealthily,

Wrapped itself, round and around

Darkness.

Shadows tip-toed out softly,

Unraveled themselves, open and about

Light.

Memories, dusty shook themselves

Jumped, frolicked, out and outside

History.

Unhappiness paused for a moment,

Kicked discontentment over and inside

Now.

Feelings buckled again, kneeling,

Pleading, praying over and over, in

Circles.

Fate strutted out cocksure

Laughed, gibed, tickled and teased

Destiny.

Benita Patnaik

Dreams- a narrative tool or a distortion of reality?

“I was dressed in a red bridal sari. I walked with bowed head towards the mandap; the shehnai was loud and clear. I could see the pink turbaned head of all the men folk and the colourful saris glittering under the neon light. Suddenly, there was silence and I watched everyone turn in slow motion towards the entrance, which framed a wild looking, but beautiful girl dressed in pink – all in pink.

“Stop this marriage!”

The stunned pundit looked up enquiringly at a man (my father?).

I looked up and my veil fell off my bowed head.

From somewhere a shot rang out and the girl crumpled to her feet, clutching her heart.

I looked triumphantly at someone……………” – “Real Dreams”

The use of dreams in a narrative whether its fiction or real time, is a tool many writers have used over the ages. Dreams, we have been told is our subconscious mind trying to make sense of multiple experiences in our life. The mind simply takes episodes from life puts them, say into a glass jar and shakes them up (whether its random or not has not been proven!) and then pours it out into our sleeping mind in an absolutely new procession of thought.

I have used the dream sequences in my book “Real Dreams” to heighten the mystery surrounding the life of the protagonist and to give the readers a clue to what might have or will happen. As a tool it is sharp, straight and highly effective- instead of explaining things through a huge rigmarole, the short sharp narration tells us a lot, using minimum number of bytes.

“In the Freudian model, the dream gives expression to prior, unconscious dream thoughts (Freud [1900] 1953). From a neurobiological perspective, however, there is no further regression of meaning, because dreams arise from the activation of the forebrain by periodic neuronal activity in the brain stem (Hobson & McCarley 1977). “

We have a million pages on the internet about interpretation of dreams. How practical and cognitive they are is up to the reader’s own identification to what is happening around him. People tend to like, appreciate and believe in things with which they can find a comfortable parallel in their lives. So, what exactly are dreams and how do we find meaning for them?

Are they just chemicals in our brain playing around with our senses and creating holograms? Or are they divine manifestation of God conversing with us (sometimes warning us; sometimes auguring about good times to come)? Or just the tired brain regurgitating some memories to make place for new?

I feel they are all this and more. It is therefore not surprising that even in the epics of Mahabharata and Iliad we have multiple instances of dreams portending the future or using the past to explain certain events.

Films of course have used dreams exclusively for their visual pleasure; to explore the unknown and spiritual aspect of life. Thus, we have a number of horror movies based on dreams; many crime-based movies use dreams to psychoanalyze the perpetrator’s actions; even romantic movies delve into this parallel world to create softness, desire and longing.

What actually makes “dreams” such a flexible and attractive tool? It actually blurs reality and logic. We do not have to follow the dictates of science, logic or social rules, all because it is not supposed to be real! Using this, the creator can state events or thought process without having to cross the “Ts” and dot the “i s”. he can also mould the narrative to enhance the experience of using all our senses.

Dreams are mostly nonlinear narratives. They follow the ‘stream of consciousness’ model; sometimes our mind jumps like a monkey from one branch to other, seemingly without any connection. But if we were to research the dreams, we would find that there is one. A journey on a boat could take us to a bar and then unto a jump from a cliff. On the surface unconnected but look deep we have “Water-drink-suicide”, one could follow the other in a logical manner. I was thinking of the beautiful landscapes of England and then my mind took me to a trek that I had taken years ago and then on to a conversation on hot wine! Everything unrelated but very normal when you think of your thoughts in solitary experience. No wonder they say that “mind is faster than the speed of light!

It would be great to explore this tool in infinitesimal ways and use it to further a narrative, embellish the atmosphere or to simply paint the scenery in different hues. Imagine a world where dreams foretell or foreshadow and trick us into blurring the lines and enhance every moment of our existence!    

Jasmine’s Aladdin

“I won’t be silenced
You can’t keep me quiet
Won’t tremble when you try it
All I know is I won’t go speechless”

Who doesn’t know the story of Aladdin? I have read Aladdin at least thrice; played the game innumerable times; watched the Disney movie at least once and before I talk about the latest, I had the privilege to watch a performance in the theatre a couple of years back. This was an entirely different and wonderful excitement. Imagine watching the actors performing live before you and singing the song on stage whilst doing all the action that is an intrinsic part of the story! When I look back at it, I am filled with wonder at the stage settings and the special effects that were created to transport us into another world.

Today I am talking of another magical experience. I watched the latest Aladdin movie based on the Disney story. Obviously a musical, it makes out imagination go on a roller coaster ride along with the lead characters. Such a simple story line yet what a lot it has to say!

We have the clear good and the bad characters( Of course Aladdin steals and tells lies but these are accepted grey areas of goodness); we also have the incidents growing progressively towards the climax of a huge battle; the natural movement of the evil overpowering goodness and then getting reckless with the power and strength of invincibility is very well crafted. Even though you know who will win, the moment you enter the world of Agrabah you are again the puny human tossed in the waves of uncertainty. So there we are sitting at the edge of the seats praying that Aladdin wins. Then of course innocence wins, and we go home happy and satisfied.

How then does the narrative offer us something new? The most famous song ‘A whole new world’ of course is a timeless classic :

“..I’ve come so far
I can’t go back to where I used to be”

How well it mirrors each of our lives! How many times have we tried to go back to that space where we were the happiest but are never able to recapture the magic? The romance embedded in the lines:

“…a thrilling chase
a wondrous place
for you and me”

Makes even the heart of an ancient person palpitate with the thrill of first love. I believe that the success of Aladdin over the years is because it touches the intrinsic core within an individual and mirrors some facet or the other that is lying dormant within us.

Though not authenticated it is supposed to be a part of the thousand and one tales of Arabic origin but it is largely attributed to Antoine Galland the French translator in the eighteenth century.

What strikes one is the fact that Princess Jasmine lived in a world where women had no rights, yet over the years in different settings we are introduced to her as an independent woman with a stubbornness of getting her own way. She refuses to be only seen (as an object of beauty) and demands that she be heard. So we have a millennial Jasmine, independent, stubborn, ambitious and combat ready. She refuses to be “speechless” and demands justice even in face of the oppressive power of Jaffar.

Jasmine does not cry and berate her fate as she is captured, instead she chooses to be a lawyer and turns into an advocate for the people of Agrabah. Pleading with Hakim( head of the royal guards) to judge the correctness of the law that makes him bow before Jaffar.

The ending is also very daring and new as she takes up the mantle of being a Sultan and ‘arrests’ Aladdin for being a thief, to presumably take over his life completely.

The magic continues… the wonderful genie; the magic carpet; Abu and the cave of wonders all lend their enchantment towards the world of Aladdin. The negative energy of Jaffar and Iago create the obstacles without which this tale would not be turbulent and filled with excitement as it moves from point to point. It makes us jump over the rooftops of Agrabah with the foot tapping beats of Aladdin’s lunges, jumps, swings and somersaults!

So a new take on an old tale; an empowered woman; a millennial man; a kind genie and the proverbial ogre Jaffar; all the trappings  of a modern fairy tale. There is plenty to learn; each of the songs open our eyes to truths with a humorous twist and makes us want to go back into this celluloid dream.

 



Jasmine’s Aladdin









“I won’t be silenced
You can’t keep me quiet
Won’t tremble when you try it
All I know is I won’t go speechless
Who doesn’t know the story of Aladdin? I have read Aladdin at least thrice; played the game innumerable times; watched the Disney movie at least once and before I talk about the latest, I had the privilege to watch a performance in the theatre a couple of years back. This was an entirely different and wonderful excitement. Imagine watching the actors performing live before you and singing the song on stage whilst doing all the action that is an intrinsic part of the story! When I look back at it, I am filled with wonder at the stage settings and the special effects that were created to transport us into another world.

Today I am talking of another magical experience. I watched the latest Aladdin movie based on the Disney story. Obviously a musical, it makes out imagination go on a roller coaster ride along with the lead characters. Such a simple story line yet what a lot it has to say!


We have the clear good and the bad characters( Of course Aladdin steals and tells lies but these are accepted grey areas of goodness); we also have the incidents growing progressively towards the climax of a huge battle; the natural movement of the evil overpowering goodness and then getting reckless with the power and strength of invincibility is very well crafted. Even though you know who will win, the moment you enter the world of Agrabah you are again the puny human tossed in the waves of uncertainty. So there we are sitting at the edge of the seats praying that Aladdin wins. Then of course innocence wins, and we go home happy and satisfied.
How then does the narrative offer us something new? The most famous song ‘A whole new world’ of course is a timeless classic :

“..I’ve come so far
I can’t go back to where I used to be
How well it mirrors each of our lives! How many times have we tried to go back to that space where we were the happiest but are never able to recapture the magic? The romance embedded in the lines:
“…a thrilling chase
a wondrous place
for you and me
Makes even the heart of an ancient person palpitate with the thrill of first love. I believe that the success of Aladdin over the years is because it touches the intrinsic core within an individual and mirrors some facet or the other that is lying dormant within us.

Though not authenticated it is supposed to be a part of the thousand and one tales of Arabic origin but it is largely attributed to Antoine Galland the French translator in the eighteenth century.
What strikes one is the fact that Princess Jasmine lived in a world where women had no rights, yet over the years in different settings we are introduced to her as an independent woman with a stubbornness of getting her own way. She refuses to be only seen (as an object of beauty) and demands that she be heard. So we have a millennial Jasmine, independent, stubborn, ambitious and combat ready. She refuses to be “speechless” and demands justice even in face of the oppressive power of Jaffar.
Jasmine does not cry and berate her fate as she is captured, instead she chooses to be a lawyer and turns into an advocate for the people of Agrabah. Pleading with Hakim( head of the royal guards) to judge the correctness of the law that makes him bow before Jaffar.
The ending is also very daring and new as she takes up the mantle of being a Sultan and ‘arrests’ Aladdin for being a thief, to presumably take over his life completely.
The magic continues… the wonderful genie; the magic carpet; Abu and the cave of wonders all lend their enchantment towards the world of Aladdin. The negative energy of Jaffar and Iago create the obstacles without which this tale would not be turbulent and filled with excitement as it moves from point to point. It makes us jump over the rooftops of Agrabah with the foot tapping beats of Aladdin’s lunges, jumps, swings and somersaults!
So a new take on an old tale; an empowered woman; a millennial man; a kind genie and the proverbial ogre Jaffar; all the trappings  of a modern fairy tale. There is plenty to learn; each of the songs open our eyes to truths with a humorous twist and makes us want to go back into this celluloid dream.